Quinn Latimer

Quinn Latimer is a writer and editor. She is Head of the master's program and a lecturer at the Institute Art Gender Nature HGK Basel FHNW. With Chus Martínez, she curates the long-running biannual symposia series (2018–) of the Institute. She is the author of Like a Woman: Essays, Readings, Poems (2017), Sarah Lucas: Describe This Distance (2013), Film as a Form of Writing (2013), and Rumored Animals (2012). Her writings have appeared widely, including in Artforum, Frieze, The Paris Review, and Texte zur Kunst, and in many monographs and critical anthologies. Curatorial projects include SIREN (some poetics), which explored technologies of myth and mouth, earth and alarm, at Amant, New York, and Perpetual Language: Patricia L. Boyd and Na Mira, made under the signs and spirits of Roland Barthes and Teresa Hak Kyung Cha, at Croy Nielsen, Vienna. Previously, she was editor-in-chief of publications for documenta 14 in Athens and Kassel. She is currently a PhD candidate at HGK Basel FHNW and Kunstuniversität Linz.